Sculpting a Female Portrait in Clay with Johanna Schwaiger | Part 3 : Chapter 1

Free to try


    trace 1
    trace 2
    trace 3
    trace 4
    trace 5
    trace 6Vimeo\Vimeo Object ( [_client_id:Vimeo\Vimeo:private] => 6b6ffa42731eabf970d6454ff8924c628a254dad [_client_secret:Vimeo\Vimeo:private] => 68b2f99ba1a8422ac7abfccbf6dc8ca4c656bcb6 [_access_token:Vimeo\Vimeo:private] => 0f034aca9a4eeb07387fc69e095e0ed7 [_curl_opts:protected] => Array ( ) [CURL_DEFAULTS:protected] => Array ( [42] => 1 [19913] => 1 [13] => 30 [64] => 1 [81] => 2 [10065] => /mnt/stor09-wc1-ord1/760522/www.newmastersacademy.org/web/content/wp-content/themes/reaction-2.0/vimeo.php-1.2.6/certificates/vimeo-api.pem ) )
    trace 7243719479
    trace 8
    trace 9
  • trace 2
    trace 3
    trace 4
    trace 5
    trace 6Vimeo\Vimeo Object ( [_client_id:Vimeo\Vimeo:private] => 6b6ffa42731eabf970d6454ff8924c628a254dad [_client_secret:Vimeo\Vimeo:private] => 68b2f99ba1a8422ac7abfccbf6dc8ca4c656bcb6 [_access_token:Vimeo\Vimeo:private] => 0f034aca9a4eeb07387fc69e095e0ed7 [_curl_opts:protected] => Array ( ) [CURL_DEFAULTS:protected] => Array ( [42] => 1 [19913] => 1 [13] => 30 [64] => 1 [81] => 2 [10065] => /mnt/stor09-wc1-ord1/760522/www.newmastersacademy.org/web/content/wp-content/themes/reaction-2.0/vimeo.php-1.2.6/certificates/vimeo-api.pem ) )
    trace 7243728616
    trace 8
    trace 9
  • trace 2
    trace 3
    trace 4
    trace 5
    trace 6Vimeo\Vimeo Object ( [_client_id:Vimeo\Vimeo:private] => 6b6ffa42731eabf970d6454ff8924c628a254dad [_client_secret:Vimeo\Vimeo:private] => 68b2f99ba1a8422ac7abfccbf6dc8ca4c656bcb6 [_access_token:Vimeo\Vimeo:private] => 0f034aca9a4eeb07387fc69e095e0ed7 [_curl_opts:protected] => Array ( ) [CURL_DEFAULTS:protected] => Array ( [42] => 1 [19913] => 1 [13] => 30 [64] => 1 [81] => 2 [10065] => /mnt/stor09-wc1-ord1/760522/www.newmastersacademy.org/web/content/wp-content/themes/reaction-2.0/vimeo.php-1.2.6/certificates/vimeo-api.pem ) )
    trace 7243735510
    trace 8
    trace 9
  • trace 2
    trace 3
    trace 4
    trace 5
    trace 6Vimeo\Vimeo Object ( [_client_id:Vimeo\Vimeo:private] => 6b6ffa42731eabf970d6454ff8924c628a254dad [_client_secret:Vimeo\Vimeo:private] => 68b2f99ba1a8422ac7abfccbf6dc8ca4c656bcb6 [_access_token:Vimeo\Vimeo:private] => 0f034aca9a4eeb07387fc69e095e0ed7 [_curl_opts:protected] => Array ( ) [CURL_DEFAULTS:protected] => Array ( [42] => 1 [19913] => 1 [13] => 30 [64] => 1 [81] => 2 [10065] => /mnt/stor09-wc1-ord1/760522/www.newmastersacademy.org/web/content/wp-content/themes/reaction-2.0/vimeo.php-1.2.6/certificates/vimeo-api.pem ) )
    trace 7243740835
    trace 8
    trace 9
  • trace 2
    trace 3
    trace 4
    trace 5
    trace 6Vimeo\Vimeo Object ( [_client_id:Vimeo\Vimeo:private] => 6b6ffa42731eabf970d6454ff8924c628a254dad [_client_secret:Vimeo\Vimeo:private] => 68b2f99ba1a8422ac7abfccbf6dc8ca4c656bcb6 [_access_token:Vimeo\Vimeo:private] => 0f034aca9a4eeb07387fc69e095e0ed7 [_curl_opts:protected] => Array ( ) [CURL_DEFAULTS:protected] => Array ( [42] => 1 [19913] => 1 [13] => 30 [64] => 1 [81] => 2 [10065] => /mnt/stor09-wc1-ord1/760522/www.newmastersacademy.org/web/content/wp-content/themes/reaction-2.0/vimeo.php-1.2.6/certificates/vimeo-api.pem ) )
    trace 7243771472
    trace 8
    trace 9
Instructor
Johanna Schwaiger
1 hour 43 minutes 25 seconds
Beginner-Intermediate

What you will learn

World-renowned sculptor Johanna Schwaiger joins New Masters Academy, bringing with her over 20 years experience of teaching and producing figurative and portrait sculpture. In her first series, she demonstrates her method of sculpting a female portrait from a live model. You'll learn important methods and procedures using various sculpting materials and tools, key landmarks of the skull, and basic clay application. Having placed the facial features in the previous lesson, in this lesson Johanna pays special attention to the intricacies of the nose, eyes, and mouth. You'll learn about the various fat pads and boney structures that contribute to the plane changes of these features. Additionally, now that she's found the "border" of the volumes and structures, Johanna begins to treat the surface of the sculpture more deliberately.